After a good show last year, the film festival calendar has opened well for India again in 2025 with Rohan Parashuram Kanawade’s Sabar Bonda (Cactus Pears) having had its world premiere in the World Cinema Dramatic section of the Sundance Film Festival in January, where it won the Grand Jury award.The film is a gentle, tender exploration of a friendship forged in the middle of distress. Anand (Bhushaan Manoj) along with his mother (Jayshri Jagtap), is compelled to spend a 10-day mourning period for his late father in their ancestral village where he is unable to relate to people at large, more so because of their intrusive queries about his marriage plans. He finds a kindred spirit in childhood friend Balya (Suraaj Suman), who is battling similar marital expectations in the community. Kanawade’s debut feature is a semi-autobiographical story and a rare cinematic exploration of queerness in rural India and among the underprivileged. In this exclusive interview with CE, Rohan speaks about his passion for cinema and the making of Sabar Bonda. Excerpts:Let’s start with the title, Sabar Bonda (Cactus Pears). What made you pick it up? Was it part of your childhood memories or as a metaphor for the prickly sweetness of life?It’s exactly what you have said. The fruit might be thorny from the outside but is very sweet inside. It’s very nutritious. I wanted to use that in the film. My two protagonists—Anand and Balya—are going through a difficult time in their lives. Everyone is pressuring them. Anand has lost his father. But, even in this time of duress, they stay true to their identity. They manage to find cherished moments, moments of sweetness. I also wanted a Marathi title for the film.How did you get into cinema?For me, cinema started with gadgets. I think I was about four years old when I asked my dad if the theatre was a big TV. He said it’s a screen and then he explained the projector to me. I was so fascinated by it, a gadget that made everything look so big. So, the projector was my first love. I made my first slide projector in the sixth standard. I used to go to the theatre just to go into the projection room.
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ट्रक चालक का अपहरण करने के बाद रोड रेज के बाद सेवानिवृत्त आईएएस अधिकारी पूजा खेडकर के पुणे स्थित बंगले से बचाया गया
नवी मुंबई पुलिस ने तकनीकी सबूतों के आधार पर पता लगाया कि कुमार को पुणे ले जाया गया…
